Dolly Alderton’s Good Material
Articles
Lippy Magazine's latest



- Nov 14
Open Theatre’s ‘Train Stations’: Funny, Engaging, and Witty
- Nov 14
A Review of 'What We Do in the Shadows'
- Nov 14
Ignacio Lopez ‘Nine Ig Fails’ Preview
- Nov 12
To be a Woman in Horror: I Who Have Never Known Men by Jacqueline Harpman.

- Nov 12
Can I open up? Is it safe or not?: Kendrick Lamar, Lauryn Hill, and the Deconstruction of Celebrity

- Nov 3
‘Finding my way through Sonia Boyce’s ‘Feeling Her Way’ exhibition.


- Oct 19
Esther Manito ‘Hell Hath No Fury’, A Review
- May 8
Alice Neel Exhibition: A Review


- Apr 18
Education, Education, Education: A Review


- Mar 17
Review: Leeds University Theatre Group’s ‘Rules for Living’

- Mar 17
Almost Maine review: Mediations on love and its transmutable forms


- Mar 16
OPEN THEATRE’S SWALLOWING THE WHALE IN REVIEW
- Feb 17
A farewell to childhood in Cooper Raiff’s Cha Cha real smooth:
- Feb 10
Emily Ratajkowski’s ‘My Body’: A Review


- Jan 22
Hannah Starkey: In Real Life
- Jan 13
Tom Ward’s ‘Anthem’ Review


- Dec 21, 2022
A Review of “Harry’s Birthday Party” by the Leeds Tealights


- Dec 21, 2022
A Review of Look Sharp Theatre’s ‘A Devil Inside’
- Dec 9, 2022
Come for the cover, stay for the book: Cleopatra and Frankenstein