Hannah Starkey: In Real Life
The Hepworth was in full bloom when I ventured over on a brisk icy morning last week. But within the blue skies and streaming sunlight...
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- Jan 13
Tom Ward’s ‘Anthem’ Review
Kate Moxon reviews... After his effortless success on ‘Live at the Apollo’, Tom Ward is bringing his new show ‘Anthem’ to Hyde Park Book...
- Dec 21, 2022
A Review of “Harry’s Birthday Party” by the Leeds Tealights
Hannah Giraudeau reviews A Review of “Harry’s Birthday Party” by the Leeds Tealights: With Support Acts Evie Cowen and Beau’n’Slick...
- Dec 21, 2022
A Review of Look Sharp Theatre’s ‘A Devil Inside’
Julia Brookes reviews... I had no idea what to expect upon arriving at Banham Theatre last week for Look Sharp Theatre’s latest...
- Dec 9, 2022
Come for the cover, stay for the book: Cleopatra and Frankenstein
Madeleine Rousell reviews... If, like me, you grew up obsessed with Gossip Girl and New York, Coco Mellors’ debut novel is perfect for...
- Dec 5, 2022
The Rise of Character Comedy
Kate Moxon talks the rise of character comedy... Throughout the Edinburgh Fringe and beyond, character comedy has thrived however,...
- Nov 15, 2022
Theatre Group's Jerusalem
Callie O'Brien reviews... Image: Johnny Byron (Tom Grice) stood, surrounded by partygoers outside his trailer, tells tale of his...
- Nov 15, 2022
Review: Faye Webster live at Brudenell Social Club
Prem Dosanjh shares his thoughts on Faye Webster’s latest gig in Leeds. Self-described as being “far away” from her home of Atlanta, Faye...
- Nov 14, 2022
Beautiful and Devastating: Solomon and Atlanta is almost everything I had hoped it would be
Callie O'Brien reviews... When I walked into the packed-out Banham Theatre the other Tuesday Night, I sat down expecting to be washed...
- Nov 14, 2022
PJ Harvey: Dark World of Orlam Comes To Life At Leeds Assembly House
“I see myself as a maker. I’m somebody who creates things.” This is how PJ Harvey describes herself to poet Ian Dunhig and the audience...
- Nov 4, 2022
Olga Koch Interview and Review
Horny, Bisexual, Romcom: A Review of Olga Koch’s ‘Just Friends’ Olga, a Russian-born London-based comic, brought her sell out Edinburgh...
- Oct 28, 2022
OPEN THEATRE’S SOLOMON AND ATLANTA
Julia Brookes reviews... Upon entering Stage One’s intimate Banham Theatre to see Open Theatre’s production of ‘Solomon and Atlanta’ I...
- Oct 28, 2022
THE BANSHEES OF INISHERIN
Julia Brookes reviews... When I sat down to watch “Three Billboards Outside Ebbing, Missouri” after seeing it clean up at most of the...
- Oct 28, 2022
Fleabag: The Depraved, the Debauched and the Hot Priest
A celebration of Phoebe Waller-Bridge’s creative genius and a look into what makes her series ‘Fleabag’ stand in a league of its own...
- Oct 25, 2022
Helen Bauer's Madam Good Tit: A Review
Kate Moxon shares her thoughts of Helen Bauer's Madam Good Tit... On her first solo tour of the UK, Helen Bauer performed a deeply...
- Oct 25, 2022
Eternal Sunshine of the Spotless Mind: Film Review
Care for a time-bending romance with a hint of psychological thriller to give you the cosy autumnal cry you so desperately crave? I...
- Oct 25, 2022
‘Dare to speak out against the silence’: SASHA Reclaim Exhibition
Lippy visits the SASHA Reclaim Exhibition... On Friday 30th September, the Students Against Sexual Harassment and Assault Society (SASHA)...
- Oct 23, 2022
Harry Daisley’s Solomon and Atlanta: an ode to memory, love, and queer identity across generations.
Callie O'Brien chats to the writer of Solomon and Atlanta Open Theatre’s first show of the year, Solomon and Atlanta, explores how our...
- Sep 20, 2022
SEX EDUCATION: Is it really worth the hype?
Julia Brookes questions the buzz surrounding the British comedy - drama... Before we start, I know. I’m behind the times. I always am...
- Aug 7, 2022
'Asides from the Elbow': The highs & lows of young adulthood
Samantha Cook reviews for Lippy... A story revolving the intense highs and lows of young adulthood, ‘Asides from the Elbow’ (performed in...
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